The past few days
have seemed quite culturally rich, and a blur.
I felt like
sharing!
I still had a free
pass to see the special exhibit at the IMA:
BEAUTY and BELIEF:
Crossing Bridges with
The Arts of Islamic
Culture
The exhibit was
ending in only a few days, and I knew I wanted to see it, especially after a
friend posted some (covertly taken) photos of ASTROLABES in the exhibit - and
Dave and I both got very excited about the ASTROLABES, because we watch
WAREHOUSE 13… and if you watch WAREHOUSE 13, you know what we are talking
about! If you don’t watch Warehouse 13, the simplest explanation I can provide
is that in the show, a special astrolabe was used as a very potent and very
dangerous supernatural tool to reverse time and potentially released a terrible evil
into the world.
Ahhh…
the joys of science fiction and fantasy - they inspire us to get excited by and
learn more about things in our own physical and natural world.
Astrolabes are very
complex mathematical devices used for navigation and locating astronomical
objects, and in the Islamic world, could be used to locate the Qibla
direction and the specific times to pray.
They image I’m sharing
is from about 1400, but they were also around as early as the 900s.
Astrolabe
of Jean Fusoris, made in Paris, 1400
Check
out the Wikipedia page for more info - http://en.wikipedia.org/wiki/Astrolabe
I was compelled to
share this because I am FASCINATED by early complexities, the use of
mathematical devices as WELL as ANCIENT ROBOTIC SCIENCE … aka: AUTOMATA… One of
the displayed illustrations was a depiction of an AUTOMATA by Al-Jazari (1136–1206) (read about in at Wikipedia) http://en.wikipedia.org/wiki/Al-Jazari
A
few other fun tidbits from the show:
The first piece of
art we come across is a very looooong scroll. It looked like a combination of a
sacred text such as an illuminated manuscript, a sketchbook or journal with
writing in the margins, and a children’s activity book, as there were quite a
lot of large bold designs with little writing inside - as if it were a game or
a brain activity.
In the intro video
to the exhibition, we learned some basics of the connection between the arts
and the sacred in Islam. Some of the names of god were mentioned. I wrote down one of the names - but yet, when I search for the 99 names of god, or even
this phrase online - NOTHING SHOWS up, and it seems all to appropriate and
coincidental that the phrase I heard doesn’t actually seem to exist… but I
wrote it down! “He Who Holds Paradoxes” … I think I may have to paint something
inspired by this descriptive. Again, I find it odd that this ‘name’ doesn’t
appear anywhere. Perhaps I heard it wrong, perhaps it’s a message from god,
perhaps its just my universe playing with me, I don’t know, but it makes me
smile. And I have always perked up at the mention of paradoxes.
Most of the art in
the exhibit was covered in beautiful writing. This is a major part of the
culture. I’m not going to lecture here why it is or the relation to the
culture - as enlightening as that would
be, it would take too long. Instead I’ll share some of the inscriptions I took
note of:
“The taste of
Wisdom is first bitter, then sweeter than honey”
(written on a Jug,
IRAN, end of 12th century)
so TRUE! Same with KNOWLEDGE. And Learning. Something that seems...
difficult at first - I mean, the brain IS a muscle, and you have to think hard to pump it up
but after a while, learning becomes a craving. I should tell this to my students.
“Beware of the
Dream of the Horse”
(written on a
horseshoe, 18th century Turkey - I love how the simplest of things
can be personalized by such phrases)
“… It happened that
he was wetting his face with the blood of his heart; he repeated this poetic
verse with his spirit”
(a snippit from a story, involving a Sufi watching a poet)
“There is no god
but god” -
Many of the inscriptions were religious in nature like this one - this being
one of the more common ones… I normally gloss over references to god in
religious art, but the phrasing of this caught me and got my brain thinking.
Earlier in the exhibit, there were paintings that came from a specific place
and time where many religious communities lived harmoniously without conflict -
(Muslim, Christian, Jewish) - that combined with the phrase above got me thinking
about the potential harmony people of faith could have if they took this
literally - something so profound and simple at the same time. Rather than
saying ‘there is no god but my god’ - if one truly believes that ‘god is
everywhere’ and ‘god is in everything’ - then it would be without question that
anywhere people encounter the sacred, then that is where god is. There is no
conflict. Ever since college when I participated as the secretary in the
student based organization ‘Earth Religions’, I’ve always been a bit interested
in concepts where religion, spirituality and belief can combine with full
acceptance of each other no matter the specific belief or region.
ANYWAY, (no, that's not an inscription) there was so much more and it
was an amazing exhibit - also a lot about patterns and reflection of nature’s
patterns and how that ties in with philosophy and belief etc - but these were
the specific things I grasped onto during this visit. Too bad the exhibit is
over now that I have undoubtedly inspired you to go visit. Regardless, I now
want to learn more about Medieval Islamic culture, I want to write all over
everything, and I want to paint a picture of a being that holds paradoxes.
_________________
Dave and I also
went to see
MUMMENSCHANZ!
An experimental
Swiss mime troupe that have been around for a LONG time.
Dad took me to see
them when I was a kid, and it had a huge impact on my playful spirit.
Dave had never seen
them but was a fan, so that was his birthday gift. :)
See a youtube video
of my favorite segment by Mummenschanz! https://www.youtube.com/watch?v=xe95sn0cN3k
Clay faces….
jealousy, humor… *grin*
_________________
ART and ART
I am feeling
blessed.
Tomorrow I start
teaching a new 16 week class at Ivy Tech (basically ancient - medieval art history and
non-western cultures). I am not as familiar with some of the culture’s art so I
am extremely excited to be delving in to the subjects myself so that I can
teach! The best way to learn is to teach, so it is said.
Also, the
illustrator in me is smiling big time. I think I found my ~author~
I always get an
ache when I see an author and illustrator match that seem to work well
together, and stick together for a while - like Gaiman and McKean for example.
I can’t say too
much right now, and I don’t want to jinx anything, but we’ll see what happens
after I get a few of these book covers under my belt!
-------- fin --------
Well, I have not
much else to share here, most of my recent images I’ve shared on facebook.
So... have a fuzzy picture of the cat Frankie who lives with dad. There was a cat door on the entrance to the basement, but after several attempts, dad gave up on training him to go through the door, and just removed it. Frank now has no inhibitions going through the HOLE in the door. Much Love, he's the snuggliest cat ever. I'm also allergic to him, but I still give him lots of love when I visit.